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#Metamorphosis

Transformation of form: human, divine, animal, natural.

A Kalighat painting of the goddess Kali enshrined beneath a temple arch: black-skinned and four-armed, her long red tongue thrust out over a garland of pearls, a curved sword raised in one right hand and a freshly severed human head hanging from one left hand, on a warm yellow ground.
Hindu

Kali, the Dark Devourer of Time

The title calls her the eater of time, but the oldest text that names her means only one thing by the word: black. Everything else, the tongue, the corpse underfoot, the eating of the hours, was laid over a battlefield goddess across a thousand years.

6 minDevi Mahatmya
A Pahari miniature: the dark-complexioned, crowned Krishna in a yellow dhoti and long pearl garland stands amid gopīs, cowherds and cattle, his right arm raised to hold Mount Govardhana aloft as a floating green plateau against a black storm-sky; Indra rides his white elephant Airavata in the clouds at upper right.
Hindu

Krishna, the Divine Cowherd

The rain-cloud-dark child who stole butter and danced on a serpent's hoods, grew into the statesman whose peace embassy failed, and then, as a friend's charioteer on the edge of a doomed battlefield, spoke the song that became scripture.

6 minBhagavad Gītā 1.21–22
Mysore-school miniature of the four-faced creator Brahmā seated on a great pink lotus that rises on its stalk from a deep-blue ground; the red-skinned god wears a tiered gold crown and heavy gold jewellery and holds up multiple arms, flanked on either side by crowned attendant deities with hands joined in worship.
Hindu

Brahma, the Creator

The self-existent one cast his seed into the primeval waters and was born inside a golden egg bright as the sun. After a year he split it into heaven and earth. He is Brahma, the four-faced progenitor of worlds and creatures.

7 minṚgveda 10.121
Ravi Varma Press oleograph of Durga as Mahishasuramardini: a many-armed, crowned goddess seated astride a lion, brandishing a mace, sword, discus, lotus and other divine weapons; below her the lion sinks its jaws into a fallen human-form demon while a severed buffalo head lies at lower left and a shield-bearing demon reels back at right, all on a green ground beneath a flowering tree.
Hindu

Devi, the Great Goddess

The buffalo-demon had swallowed heaven and no god could stand against him. The gods poured out their fury as light, gathered like a burning mountain, and out of it stepped a single woman onto a lion. She is the one Goddess in whom all goddesses are gathered.

8 minDevi Mahatmya
Chola-dynasty bronze of Shiva as Nataraja, the four-armed god dancing within a ring of flames, one leg raised, his matted locks fanned out, treading on the dwarf of ignorance atop a lotus base.
Hindu

Shiva, the Destroyer

The braided-haired archer of the oldest hymns drank the world-poison to save creation and burnt three flying cities with a single arrow. He sits ash-covered on Kailasa as the great ascetic, destroyer and healer in one body.

7 minṚgveda 1.114
Kalighat painting of Vishnu as the Trivikrama/Vāmana avatar — a blue-skinned, six-armed crowned god mid-stride with one leg raised high overhead, wearing a yellow dhoti and red-striped scarf and heavy silver jewellery; at his lower left the small demon-king Bali kneels, offering a gift-bowl, on a blue-green ground.
Hindu

Vishnu, the Preserver

The god who measured the whole universe in three strides, then bound himself to it forever by a promise: whenever order fails and wickedness grows strong, he takes visible shape and is born, age after age, to set virtue back on her seat.

7 minṚgveda 1.154
Woodblock-print portrait of King Yu (禹王), the son who inherited his father Gun's flood-taming charge, shown standing full-length in ceremonial cap and sashed court robes on a rocky mound, the title 禹王 in a cartouche at upper left.
Chinese

Gun and Yu, Father and Son Flood-Tamers

One ruler had the father executed for failing at the flood and in the next breath set the same charge on his son; between the two men lie power denied to the father then given to the son, a son born from his father's body, and three conflicting accounts of who killed Gun.

6 minShanhaijing
A Chinese woodblock line-drawing of Cannü, the Silkworm Maiden: a young woman in flowing robes standing beside a horse amid stylised clouds, a temple roof above and rocks and bamboo below, at the moment of her ascent into heaven riding the horse whose hide had seized her.
Chinese

Cannü, the Silkworm Goddess

She promised to marry the horse that brought her father home. From the killing that followed came silk and the mulberry tree, and centuries later a goddess.

6 minXunzi
Cast relief on the back of a Tang bronze mirror: the moon goddess Chang'e in flowing robes dances on a cloud at the left of a tall cassia tree, while at the right the jade hare stands upright at a mortar raising a long pestle to pound the drug of immortality; a squat toad crouches at the foot of the tree below.
Chinese

The Jade Rabbit of the Moon

In the moon an exiled woman keeps a white hare that pounds the elixir of immortality. Yet the oldest moon riddle names no hare at all and may mean a toad.

6 minChuci
In a circular medallion on a silver monkey-patterned ground, the monkey Sun Wukong in patterned gilt-and-black armour sits astride his vertical gold-banded iron staff and blows a plucked hair from his raised hand; the loosed hairs turn into a swarm of tiny staff-wielding monkey-warriors streaming off to the upper left, with columns of Japanese kyōka verse below — a 19th-century Japanese woodblock surimono of the Monkey King.
Chinese

Sun Wukong, the Monkey King

Before his war with Heaven, Sun Wukong is a stone monkey born from a rock on Flower-Fruit Mountain. At a feast he weeps when he learns the ledger of the dead holds his name, and sails off to learn how not to die.

6 minXiyouji 西遊記
Detail from the top of the Mawangdui Tomb 1 silk funerary banner: a silvery crescent moon carrying the dark lunar toad, with the ascending moon-woman borne aloft on a blue dragon beneath it, painted on the deep red-brown silk of the Western Han heaven register.
Chinese

Chang'e, the Lady in the Moon

The moon's cold lady was not always a lady, and not always called Chang'e. Before the jade palace and the tender wife, she was a name in flux and a creature crouched on the lunar face.

6 minHuainanzi
Ming woodblock print of Erlang of Guankou: the god seated in an official's winged cap and robe within a tiled hall, a youthful attendant standing before him with a long staff, the title cartouche 灌口二郎神 in the upper right. He is shown with ordinary eyes, without the later third eye.
Chinese

Erlang Shen, the Three-Eyed Divine Warrior

The nephew of the Jade Emperor, famous for the eye in his forehead and the hound at his heel: except that in the two novels that made him, he catches his quarry with ordinary sharp sight and a borrowed mirror, and the third eye is nowhere in the text.

6 minWu Cheng'en
Ming woodblock print: the boy-god Nezha, reborn from lotus, rides through the air on his two Wind-and-Fire Wheels with a fire-tipped spear raised and his sash streaming; above him, on a rock ledge under a pine, sits his Daoist master Taiyi Zhenren, and an armoured rider gallops below, all in fine black line over an open landscape of cloud and crag. A caption cartouche 哪吒現蓮花化身 (Nezha manifests his lotus incarnation) stands at upper right within the ruled frame.
Chinese

Nezha, the Lotus Prince

A boy-god who gave his own flesh and bone back to his parents to cancel the debt of his body, then rose again out of lotus stalks: reborn twice over, and by two rival religions.

6 min三教源流搜神大全
A Chinese woodblock-style line illustration of the bird Jingwei in flight, wings spread and a long streaming tail, gliding above a leafy branch springing from a rock; ink line on a plain ground.
Chinese

Jingwei Fills the Sea

The youngest daughter of the Flame Emperor drowned while playing in the water, and came back as a small bird carrying twigs and pebbles to fill in the sea that took her.

6 minShanhaijing
A tall Chinese silk hanging scroll in ink and colour — a towering, mist-wreathed mountain gorge threaded with waterfalls and drifting cloud-dragons, and across the lower half crowds of tiny labourers on timber scaffolding, derricks and ladders cutting the rock to channel the floodwaters away; a robed figure oversees the work from a ledge at the upper right.
Chinese

Gun, Yu, and the Great Flood

The waters had swallowed the hills and were climbing towards heaven, and the father who tried to wall them out failed and died for it; only his son, cut from the same body, found the way to let the flood run home to the sea.

7 minShanhaijing
A Ming-dynasty hanging scroll of the moon goddess Chang'e as a single standing figure in pale flowing robes with long trailing sleeves and sashes, an elaborate jewelled coiffure, holding a sprig of cassia at her breast; a running colophon in cursive script fills the upper field.
Chinese

Chang'e Flies to the Moon

The archer won the one drug of no-death from the Queen Mother of the West. His wife stole it, fled to the moon, and left him with nothing to continue: the oldest telling is a theft, not a love story.

6 minHuainanzi
Woodblock-print line drawing of the goddess Nüwa: a human-faced woman with long flowing hair whose lower body is a coiling serpent tail wound among jagged rocks and licking flames, one arm raised overhead holding aloft a stone toward the sky she is mending.
Chinese

Nüwa, the Creator Goddess

Serpent-bodied and human-faced, she patted the first people out of yellow mud, then smelted five-coloured stones to patch a sky that had split from pole to pole.

5 minHuainanzi
A black-and-white Edo woodblock book-plate of monster-cats on a house veranda: a striped cat rears upright on its hind legs by a latticed shoji screen, one forepaw raised, beneath a round hanging lamp; behind it a cloth-draped cat dances and a long-tailed cat-creature crouches at right, the label reading "nekomata".
Japanese

The Bakeneko, Monster Cat

A household cat rears on its hind legs to lick the lamp-oil, wraps a towel round its head and dances: the domestic monster-cat of the Edo books, one branch of a single cat-spirit the sources never cleanly split.

5 minYoshida Kenkō
Japanese painting of the two creator deities afloat on cloud above a swirling sea. Izanagi, wild-haired and bearded in a white robe patterned with gold clouds, leans forward and grips the long heavenly jewel-spear in both hands, thrusting its blade down into the brine; Izanami, in a pink robe with long black hair and lowered eyes, stands close behind him. Below, rocky islets rise congealing out of the churning water.
Japanese

The Birth of the Islands

Two gods stand on a bridge above a formless sea, lower a jewelled spear into the brine and stir until it curdles: how the first island rose from the drippings, and how a botched courtship had to be done over before Japan could be born.

6 minKojiki
A dark, misty underworld chasm. At the top of a rocky crag on the left, Izanagi stands in a long black robe with a sword at his hip, looking down; at the lower right a pale, white-robed woman with long streaming hair, Izanami, rises from the fiery dark of Yomi with her arms flung up toward him, spectral shapes and flame climbing the rocks between them.
Japanese

Izanagi's Descent to Yomi

Izanagi followed his dead wife into the land of the dead to bring her home. He lit a single forbidden light to look at her, and fled a rotting queen: the myth that gave Japan its death, its cleansing rite, and its three brightest gods.

6 minKojiki
A Japanese woodblock print: a radiant white-robed fox-deity of Inari rises as a supernatural apparition, her streaming black hair haloed in golden fox-fire and a small red torii gate set at her brow, a white fox pressed to her side; before her a richly robed warrior recoils, his black-lacquer bow fallen from his hand and ribbons of gold light coiling through the dark.
Japanese

Inari, God of Rice

A rich man shot arrows at a rice-cake for sport, and the wasted rice rose up as a white bird and flew to a mountain where rice began to grow: the founding legend of Japan's most-worshipped kami, whose name means the rice becomes.

6 minNihon Shoki
A dim blue-green watercolour of the Even Pass of Yomi. Pale, ghostly nude figures climb and struggle up out of the murky underworld dark: a lit figure escapes toward the upper right while others reach and clamber below, half-dissolved into the gloom of the pass between the living and the dead.
Japanese

Yomi, the Land of the Dead

A shadowy country of rot and gloom where a single mouthful of the dead's cooking binds you forever: the underworld of the Kojiki and Nihon Shoki, and the day it was sealed off from the living.

7 minKojiki
Japanese woodblock print of the two creator deities on the Floating Bridge of Heaven. Izanami in a loose white robe with long black hair and lowered eyes stands beside the wild-haired, bearded Izanagi in a brown robe, who holds the heavenly jewel-spear upright in his clasped hands; a kingfisher skims the water at the reed-fringed brink below them.
Japanese

Izanagi, the Male Who Invites

Izanagi stirred the sea to a curd and raised the first island from a spear-tip. Then he lost his wife to the underworld and came back to wash the pollution off. From the water of his cleansing were born the sun, the moon and the storm.

5 minKojiki
Japanese hanging-scroll painting of the two creator deities standing on cloud above a lone sea-wave. Izanami, at left in a pale robe with long black hair and lowered eyes, stands beside the wild-haired, bearded Izanagi, who leans out and lowers the long jewel-spear so its blade dips toward the water below.
Japanese

Izanami, the Female Who Invites

Izanami spoke first at the pillar and bore the world a crooked child. Then she bore it right: the islands of Japan and the gods of sea, wind and fire. The last birth killed her and made her queen of the dead.

5 minKojiki
An ancient Egyptian tomb painting from the tomb of Nefertari: a great pile of offerings heaped before the seated god Osiris, Nefertari's invocation recorded in the hieroglyphs above.
Egyptian

The Death and Return of Osiris

A brother's fitted coffin, a body torn into pieces and scattered, and the magic of a wife who gathered them back: how the murdered king was made whole and got an heir from beyond death.

6 minPlutarch
An ancient Egyptian tomb painting from the tomb of Nefertari: the god Osiris enthroned inside a sanctuary crowned by a frieze of uraeus serpents, the queen standing in adoration before him.
Egyptian

Osiris, Lord of the Dead

Egypt worshipped him for two and a half thousand years and never once wrote his story down: the green mummiform king who absorbed a jackal god, rose as Orion, and lent his name to every vindicated corpse.

5 minPyramid Texts
Icelandic Edda-manuscript illustration: Odin, in the shape of a great winged eagle, spews the stolen Mead of Poetry down into three ritual vessels ranged on a wooden frame, while the giant Suttung — also in eagle-shape — pursues at upper left and a stream of the escaped mead falls away below; a handwritten Icelandic caption box sits at top-left.
Norse

The Mead of Poetry

How poetry got into the world: a murdered sage, a mead brewed from his blood, and the god who slept three nights with a giant's daughter to steal it, then left her to grief.

6 minSnorri Sturluson
An illustration of Loki's punishment: the bound trickster lying beneath a serpent that drips venom on his face, his wife Sigyn beside him holding the catching bowl.
Norse

Loki, the Trickster

The handsome, fickle mischief-monger of the Aesir who drags the gods into ruin and then, more often than not, is the only one clever enough to haul them back out again.

6 minSnorri Sturluson
Raphael's fresco The Parnassus: Apollo seated at centre on Parnassus playing a stringed lyre, surrounded by the nine Muses and the great poets of antiquity, beneath a vaulted sky.
Greek

Apollo, God of Light and Prophecy

The newborn who burst his swaddling bands to claim the lyre, the bow and the truth of Zeus, then killed a dragon to found the oracle that spoke for him.

5 minHomeric Hymn 3
Diana the huntress striding through a dark wood, a gold mantle slipping from her shoulders, reaching back to draw a white-fletched arrow from the quiver at her side while a red recurve bow hangs in her lowered hand. A lean white hound courses at her feet, and a lake glimmers through the trees behind her.
Greek

Artemis, the Huntress

The small child who climbed onto her father's knee and asked for a bow, eternal maidenhood and all the mountains in the world, then took them.

5 minHomeric Hymn 27
A black-figure Panathenaic prize amphora: the goddess Athena Promachos strides to the left between two columns, helmeted, brandishing a spear and holding a round shield, her aegis across her chest.
Greek

Athena, Goddess of Wisdom and War

She was born from her father's skull in full armour, spear already levelled, and the whole of Olympus reeled at the sight of a daughter equal to Zeus.

5 minHesiod
A youthful Bacchus reclining behind a stone table, bare-shouldered in a loose white robe and crowned with an autumnal wreath of grapevine leaves and dark grape clusters. He holds out a shallow footed glass of red wine in his left hand while the fingers of his right toy with the black bow of his sash. A large glass carafe of red wine stands at the lower left, and a heaped bowl of fruit — grapes, apples, a pear, a split pomegranate and figs — sits before him against a dark ground.
Greek

Dionysus, God of Wine and Ecstasy

The twice-born stranger who turns pirates into dolphins and a mother into her son's killer, the loosener of cares who is lethal to anyone who denies him.

6 minEuripides
Marble statue of Hera as queen, standing veiled in a long chiton and himation with a diadem band across her brow, her raised right hand holding a sceptre and her extended left hand bearing a shallow offering dish.
Greek

Hera, Queen of Olympus

The goddess of marriage who ruled beside Zeus and warred against him in the same breath, dressing for seduction as a strategy of state.

6 minHomer
A severed, snake-haired head with wide staring eyes and mouth open in a scream, blood streaming from the neck, dark serpents writhing outward from the scalp against a green convex ground ringed by a gilt border — Caravaggio's Medusa, painted on a ceremonial parade shield, showing the Gorgon's face in the instant after decapitation.
Greek

Medusa and the Gorgons

A face no one could look at and live, and a hero who beat it by refusing to look. The only mortal monster in a family of immortal ones, killed in her sleep.

5 minHesiod
A nude young hero in a winged cap holds aloft the severed, snake-haired head of Medusa in his raised left hand and a curved sickle in his lowered right, his own gaze cast down and away from the trophy; the Gorgon's decapitated body slumps beneath his feet on an ornate pedestal against a plain pale wall — Benvenuto Cellini's bronze Perseus with the Head of Medusa in the Loggia dei Lanzi, Florence.
Greek

Perseus, Slayer of Medusa

Locked in a bronze cell, cast to sea in a chest, sent for a head no man could look at and live. The hero who won by never looking, and killed his grandfather by accident.

6 minPseudo-Apollodorus
A grey-bearded, muscular sea-god shown half-length and nude to the waist, a grey-green drape at his hips, gripping a three-pronged trident in his right hand. Behind his shoulder a ship's spar wound with rope and a carved trident emblem sit against a dark wooden ground, with the incised inscription "A·DORIA" at upper left.
Greek

Poseidon, Lord of the Sea

He drew the grey sea by lot and never forgave a slight, splitting rock with his trident to raise storms, drown heroes and shake the earth itself.

5 minHesiod